Yang Yoseob has finally dropped his first solo comeback since his solo debut back in 2012. Last week, the main vocalist of HIGHLIGHT gave us a small snippet into this latest release with Star. One week later and he has dropped the entire mini-album (White), along with the title track Where I Am Gone.
Once again, Yoseob starts off the song with the traditional ballad route. His first few lines of the song were quite heartbreaking and putting emotions into this vocals is what we know Yoseob for. The song develops more into a pop song once it reaches the chorus and I feel like this is the strongest moment of the song. It was mildly disappointing at first because there wasn’t anything special with the first half of the chorus. The second half, once the autotuned vocals kick in, was definitely more interesting and this gave the song a rougher effect, which contrasted nicely with the rest of the song. It was also quite catchy. Yoseob’s vocals do stand out in this song. It may be a little too plain of the song for us to have a full grasp of his vocal abilities but it enough to prove his status, particularly the bridge and the final chorus. The main issue with this song would have to be its plainness. Yes, it has its moments but you cannot just forget about how incredibly plain the song is. I have a feeling that within a few more listens, I would get bored of it.
I am also on the fence in regards to the video. It is definitely fitting for the song and there were some moments which I did enjoy. It just had a few aspects that should have been more thought out. Let’s start off with the car scene. I personally like the direction but the car seats it used was a little too futuristic for my taste. Maybe one of those olden day cars or something that looked a little more traditional would have worked well with that scene. Also, there is no driver, which is a little concerning. But regarding what I did enjoy, I liked the choreography scenes, particularly those where we only saw the silhouette of the dancers and how Yoseob was the main focus (as he should be) during these scenes.
I did like the solo moment he had with the female backup dancer. Hopefully, that made it into the choreography. But the rest of the performance (judging from the music video only) looked really awkward. He looked stiff and uncomfortable throughout the chorus and this didn’t really relay well back to me when I watched the video. Hopefully, the performance is better.
Song – 6.5/10 Music Video – 6/10 Performance – 5/10 Overall Rating – 6/10
After 5 years, Yoseob from HIGHLIGHT will be making his official return as a solo artist. The last time he promoted as a solo artist was at the end of 2012 with Caffeine. Fast forward 5 years and today Yoseob unveiled his pre-release track to his upcoming mini-album, which is due to be released next week. So, let’s begin the countdown to Yoseob’s return by having a listen to his pre-release track, Star.
Like most pre-releases, Star falls under the ballad category. Throw in Yoseob’s vocals and you do have a perfect pairing. And while I did think Star would become a little too straightforward with a consistent ballad instrumental, it did take an unexpected yet welcoming turn. We start off with a slow yet dreamy piano instrumental. From the second verse, the song starts to pick up. Not in a way where it turns into a pop song but rather there is a dramatic buildup with a very deep thumping sound, which resembled thunder. Then came in more classical instruments, which made the song sound so much better. I also liked it how his vocals were at the forefront despite the instrumental change-up, allowing the listener to focus on the vocals and not have it drowned out by the violins. Overall, I really like the ballad.
The music video is essentially a long walk in the snow. That is what Yoseob is doing, which goes well with the song. It just doesn’t work well on the memorability front. They shot at really pleasant places with great camera angles, which visually worked well as well. Besides that, I don’t much else to comment on with regards to the video.
Song – 9/10 Music Video – 6/10 Overall Rating – 7.8/10
HIGHLIGHT is back and this time they are “celebrating” their 8th year since their debut in 2009. Oh, how fast has time been. Their latest mini-album is titled, appropriately, as Celebrate and features the title track, Can Be Better. This is their first comeback since their repackaged album,Calling You.
Continuing their run with their more cheerful and vibrant songs, HIGHLIGHT manages to nail it once again with Can Be Better. Actually, they might just have hit the bull-eyes with this song. From the very first listen, the song was so upbeat that my body just wanted to get up and dance. It was catchy and definitely addictive to listen to. Little did I know that in a couple of hours, I actually played the song so much more than any other song today. There isn’t anything that special about the song’s instrumental. But the atmosphere that the vocals and the raps add to the song gives it such a lively background. Though I do miss the darker side of the group, I have to admit the brighter side is doing wonders for them.
The music video reflects well with the song. It has a more humorous side to it, which makes it more appealing to watch. And I think it ties in well with their message. Essentially, it doesn’t matter if you are having a bad day. It happens and you just might not know what will happen next. It did get confusing towards the end with how each of them manages to step into the freezer and somehow get stuck inside that. I would like to see the aftermath of all the events, but I think the party scenes seem to be what followed.
[Updated] The dance matched the song in terms of that cheerful and bright side. It looked like the dance was choreographed based on wanting to have fun and that was portrayed very nicely. It was also the type of song that could have any dance and the only element required was the fun side of it.
Song – 9.5/10 Music Video – 9/10 Performance – 9/10 [Updated] Overall Rating – 9.5/10[Updated]
Lee Gikwang, who is commonly known to be part of HIGHLIGHT (formerly Beast), was actually previously a solo artist under the stage name of AJ before he debuted with the group. However, his solo career was put on hold for the debut of Beast and has not promoted as a solo artist since his debut in 2009. Until today, where he dropped his track What U Like and 2nd mini album, One.
The track is underwhelming. It doesn’t appeal to my taste and it just doesn’t have the energy that I sought. I can see why some people would like it. It has some nice hooks and the overall sound contributes to a nice atmosphere. The track is easy on the ears and seems to separate itself from the competition for its combination of styles. The song is a mashup between that ongoing tropical style trend that KPOP has been experiencing and that minimalistic style of music. But the two doesn’t really go together. Tropical based music is meant to be energetic and the minimalistic nature just kills those vibes. And the same can be said the other way around. The vocals were great. They actually have this smoothness to them, which I thought was cool. This is just my personal opinion at the time of writing. It may or may not change with even more listens in the coming weeks and months. Gikwang’s solo return is definitely much appreciated but his song doesn’t do the job for me. (There is actually another song on the album which drew my attention: Misunderstand. Check it out here!).
The same can be said about his music video. I liked the setting (some urban place in Korea that keeps popping in music videos) and the cinematography was pretty good. The use of those coloured clouds looks amazing, as well. But I found the video a tad boring to watch. Besides some solo shots and choreography, there isn’t anything else in the video to talk about. So I am going to poke at something that I usually don’t speak about. His outfits in the video look really good. I would never be able to pull off his style and it makes me slightly jealous.
Gikwang is known for his dancing. From his solo stages to his group work, there is a lot of expectations for his comeback in terms of choreography. There hasn’t been a full performance yet. However, from what I see in the music video, I think it looks like it is going to be a nice performance to look out for.
Song – 5/10 Music Video – 6/10 Performance – 8/10 Overall Rating – 6/10
HIGHLIGHT (formerly Beast) is back with their repackaged mini-album. The group made their “debut” back in March of this year with Plz Don’t Be Sad and the mini-album Can You Feel It?. Calling You is the song being reviewed today, which is also the title track of the repackaged album (surprise, surprise).
When I heard that the group was going to release a new song, I was super excited. Mainly because I was super excited. Plz Don’t Be Sad ended up being a really catchy and addictive song. But if I was being honest regarding Calling You, you all will be very disappointed. I don’t see the same happening for Calling You, which even shocked me since I love all of their past title tracks. Per usual, the group threw in their grand vocals for this song, while still maintaining a pop-influenced instrumental. All the members sang in the song, which still surprises me til this day. The song is bright and vibrant (something that HIGHLIGHT only started doing since they “debuted”). Moving along to why I don’t see it catching on (for me). It doesn’t feel dynamic or catchy. There was an apparent hook throughout the chorus, but it didn’t seem strong enough. It felt more like a fan-service song than an actual title track (was that its intention, I am not too sure). Finally, the song felt like it ended a little too soon and didn’t reach the end that it needed. It kind of awkwardly faded away.
I actually liked the music video a lot more. You see the guys gather at a local Korean food stand, but all in their own scenarios. It seems like all the guys have someone constantly on their mind and throughout the video are trying to forget about that person through drinking and various activities. But those feelings were probably too strong and they all end up trying to make some sort of contact in the video. Besides the plot, I thought the video looked good overall. I thought the part where everyone got up to dance looked pretty cool. My main question is: ‘What is Junhyung wearing?”. But besides, great video!
It seems like HIGHLIGHT is continuing with the playful side we saw in Plz Don’t Be Sad. While it was tone down for the song, you could tell by their facial expressions and lightheartedness throughout the performance. Not that memorable but it does suit the song very nicely.
Song – 5/10 Music Video – 8/10 Performance – 7/10 Overall Rating – 6.5/10
After rebranding into HIGHLIGHT, there were rumours floating about with Junhyung’s impending return as a solo artist. It seems like those rumours were true and hence we are all here today. Junhyung previously made his solo debut with Flower and returned last year with After This Moment (featuring Davii). His comeback is titled as Wonder If and features Heize.
Junhyung delves into the RnB side of the Korean music scene with his latest release. His main duty if HIGHLIGHT is to be the main rapper, however, here he sings the entire song. Something that is a little foreign for the established rapper. That being said, I always find rappers have a unique voice that lets them add a different colour to their group songs. Here, Junhyung shines like never before with his catchy and addictive track. It’s the RnB feel that I enjoy listening to. The chorus was probably the best bit of the entire song. I love the way he delivered his lines as if it was to make it jaggered, yet somehow remaining smooth the entire way. The melodies during the chorus are also amazing. While I did say his voice shines, the track does feel quite neutral as you move towards the end. Heize’s featuring was the much-needed relief and added that needed colour to the song. Her voice also gives the song an extra level of depth, which ends up transforming the song into something even better. Overall, this song is one really amazing and worthwhile collaboration.
The same cannot be said about the music video, unfortunately. While I enjoyed the song, the video feels empty and lacking. There isn’t a whole much going on in the video, besides Junhyung singing in various sets. I am not the type of person who would sit around and watch that. Even Heize’s addition to the video couldn’t save the video for me. The video was dark, which matches Junhyung’s associated sound and style. The video was edited to seem like you were drunk, which did give it an alluring appeal, which only lasted for a while. Besides that, I am not a fan of the video.
Song – 9/10 Music Video – 5/10 Overall Rating – 7.5/10
HIGHLIGHT, formerly known as Beast, have rebranded themselves and returned to the stage with their latest mini album. The group, unfortunately, could not carry over their original group name after leaving the company, as Cube Entertainment had owned the name. Hence, why a new name was needed. And now the group has returned with a smashing new mini album, titled as Can You Feel It?.
2.It’s Still Beautiful (아름답다)(pre-release track) – While I probably will not get around to writing a full review for it, I will go on about how nice this track is. Beast tends to ‘pre-release’ a ballad track before dropping their album, which is what they have done here. And what they have given us is quite beautiful. The soft instrumental doesn’t steal the show. Instead, their vocals that give the song that striking sound, which made me fall in love. Each member sings in this song, further proving the extent of their talents. My only complaint is as the song approaches the end, you expect it to ease out. But instead, it ends quite suddenly, which does catch me off guard. But “It’s Still (a) Beautiful” song. (9/10)
3.The Beginning (시작) – This is the second ballad off the tracklist. It has a more subtle cafe and elevator music vibe to it. Out of all the tracks, I don’t really find it appealing. But that is just my personal preference. Like the other tracks, this is a really good track by itself. The little “twinkle” sounds from the piano does give it a nice touch and of course, the members show off their vocals here as well, but not as much their other tracks on the rest of the album. (7.5/10)
4. Dangerous (위험해) – This is the third ballad-like song on the album. And out of the three, it is probably the best. I freaking love it. The chorus is really damn catchy. It is a beautiful song to just sit down, sway along and lipsync along with it. The chorus, alongside the verses, give the song a very dramatic and serious feel. Junhyung’s raps top the song off very nicely, as well. It doesn’t seem to fit, but it works wonderfully with the rest of the song. This song does show off their vocals as well, but in its own way. (10/10)
5. Can You Feel It? – Given the trend, you expect them to finish off with another ballad. But instead, a dance track closes the mini album. As soon as I heard the song, it felt just right. It has everything you expect in a party-themed song. It’s catchy and addictive. And it has a sick beat that is bound to get you in the mood for a little bouncing or dancing. I revisit the entire mini-album just for this one track. Likewise, I feel like their vocals and raps are shown off, but in a more appropriate way that suits this song. (10/10)
A new boy group is here to grace the stage. Well, they aren’t that new. Highlight is actually Beast. But since Beast did not resign their contract with their former company, Cube Entertainment (who also trademarked the name Beast or B2ST), the guys had to find a new company and a new name for themselves. Hence, the guys went on to form About Us Entertainment and named themselves Highlight, after one of their previous songs. This is the team’s first comeback since last year’s Ribbon.
The song is actually quite good. I think of the main concerns was what direction would the group go in, since they have essentially been given a new chance to restart. I personally would have loved to see them continue with their previous styles. But given this song, fans don’t need to worry too much. It is a song that sounds fun. It was a bit foreign, but it puts smiles on my face (since the song is about turning the frown upside down). The vocals are quite good and Junhyung’s rap is up to par with any other work he has done so far. The introduction (woooaaahh, woooaaahh) and chorus sounded spectacular. The instrumental is a little more on the traditional side of KPOP but in combination with their vocals/raps, it felt fresh and new. I don’t think there is anything that pulls the song down. It just a side to their musical side that I am trying to get used to. Given their current success on the charts, this song is bound to stay relevant for quite a while and if that is the case, I’ll probably fall in love with the song (like any other Beast song) very quickly.
Judging the song, we can kind of assume that they went with a more bright concept. A concept that isn’t really done by Beast. And while they nail channelling the sound into the video, I don’t really find the video impressive. To be honest, what they have done suits the song quite nicely. I cannot think of another way to produce a video to match the song, an important aspect of all videos that I consider. I don’t expect much usually, but when you have watched a video numerous times (because it is Highlight) and don’t really remember much from it, it sends a message. Sure, they have a few comedic moments. But they did have enough to make me laugh or even chuckle. You can just tell they were there to given the video a more lightened up feel. Furthermore, the video seems like a step back. It does have a rookie feel to it as if the members are rebuilding their presence from the very bottom. I would have liked it if they went with a vibrant concept that manages to carry over the same Beast feel.
The dance is actually quite enjoyable. While it is quite simple and not as impressive as their past choreographies, it manages to work well with the song. I really liked the chorus and the different hand movements they do, especially when they are singing about the sad faces. There is no actual live stage (from what I see) yet, but I have a feeling I am going to like the performances even more when those stages are released (starting tonight).
Song – 9/10 Music Video – 6/10 Performance – 8/10 Overall Rating – 8/10
Beast has returned to the stage. This comeback marks the first time the boys have returned since Hyunseung withdrew from the group back in April this year.
Let’s start off with the pre-release, Butterfly. This ballad song is great. Their vocals are quite nice. Since Hyunseung departed, you can definitely tell that the group needed to step up to fill in the empty spot and this song is an excellent example of that. Even Junhyung, who predominate raps in Beast’s songs, have stepped up and opened the song really well. The rest of the group sings really well, as well. The chorus is quite addictive as well and I find it a great song to sway along to. To me, it sounds like a flawless song and I really do enjoy listening to it.
Ribbon is another great song to add to the list. The song sounds like version 2.0 of 12:30. I can’t say this is a ballad, but I see where everyone is coming from. I really enjoyed the violins in the instrumental. It was well emphasised and it drew my attention right away. It does have a few issues in my book, though. The first would have to be the vocals vs. instrumental balance. I found the instrumental was very overpowering at times and I couldn’t hear the vocal work of the members as well. The “Tie up a ribbon” sounds really awkward and it took me a while to actually understand that is what was being sung. I actually thought they were saying something in South Korean. Those high notes at the end were pretty cool. Overall, both songs are pretty good.
The music video for Butterfly is really beautiful . Though, I do think the addition of the props are a little weird (who really enjoys a couch in the open field?), the overall setting is really nice. The camera captures a really nice shot of both nature and the guys. Though, there really is not much else to talk about the Butterfly video, it fits in well with the sound and the overall expected “gracefulness” when we hear the title of the song. Ribbon is a much darker video. The darker atmosphere matched the sombered feel of the song, but the video does remind me (quite strongly) of 12:30 as well. I don’t know what is going on the video But it seems the guys each had good memories about the surroundings they are in (for example the teddy bear in the locker). However they are bounded to these surroundings (by ribbons) and are reminded constantly by the heartbreak (Kikwang’s expressions when he sees both the teddy bear and the extending hand). They try to break away, some successful and some I guess were not. And once again, those awkward props are placed in the weirdest environments. Who honestly puts a photo booth on a skyscraper’s roof top and helipad?
Glad Butterfly doesn’t have a dance. I think Ribbon’s dance is quite nice. Them hip movements, though. Hahaha… Something needs to be done with their pants though. Way too baggy around the ankles. The dance does remind me a lot of 12:30. I did like 12:30’s dance, so I don’t know if it is a bad or good thing that it reminds me of 12:30.
Just a closing statement – Both were awesome, but I am a little troubled about how simlar Ribbon was with 12:30, espeically now how I have finished writing this review and I have mentioned it so many times.
Yeah… I know May hasn’t ended yet, but to avoid posting another late ‘Rewind” post 3 weeks after the month finished, I have decided to April and May together. This one is going to be a little informal in terms of format for a few reasons that will appear apparent. And before we move on, just a little reminder that I will try to write and release reviews every Friday, Saturday, Sunday and Monday. Okay, moving along:
Leaving the Group?
We became shocked with the disbandment (or what we dubbed at the disbandment) of Kara at the start of the year. However, it seems like certain groups are facing member line up changes after one of their members had decided to not resign with their company and have since departed ways with their respective groups. Former member of 2NE1, Minzy, and former member of Miss A, Jia, have both decided to leave their successful group and go onto their own paths. Minzy will (hopefully) make her solo debut in the near future after confirmation came from her new company in which she signed. Jia was announced today that she would be leaving the band after her contract finished. Miss A and 2NE1 faced disbandment rumours from these two events, but both their companies have stated that is not the case. Not only girl groups are facing these changes, but A-Jax (if we all remember who they were) recently lost 3 members (Sungmin, Jaehyung and Jihu). But the list does not end there. Hyunseung departed from Beast, leaving the group with 5 members. It was kind of expected after the numerous articles and petitions asking for his removal. Hyunseung is expected to return as a solo artist in the near future and is still signed with Cube Entertainment. It is always disappointing to hear these news and it has obviously shocked the industry a lot. These members have been with their band since the beginning, so it is always hard for fans. Hopefully, there won’t be any more of this and I wish the former members luck in their future endeavours (because that is something we all should do and not call them selfish).
Descendant of the Sun
Now this is something we all have heard about. The drama has taken Asia by storm and has been proven to be highly successsful. It stars Song Joong Ki and Song Hye Ko, as the main characters. Before you all die from shock, I have yet to watch this drama. So, no spoilers. But I don’t actually have any plans to watch the drama. Because I am not one to enjoy romance and all this lovey dovey sh*t. I just don’t watch the genre (or any mainstream and popular dramas). I prefer the cringeworthy daily dramas. Now, why am I talking about this drama? Well, the OSTs for this drama has literally taken over the charts each time they were released. Not complaining here, but the songs were really good. Like, I really enjoy listening to them and this is probably the first time I have been impressed with the OST for a drama. Anyway, the OST contains songs from Davichi, Gummy, K.Will, Yoon Mi Rae, Chen, Punch, Mad Clown, Kim Na Young, Xiah, MC The Max, Lyn and SG Wannabe. In OST terms, this is pretty much the star studded red carpet. Each song released topped the charts instantaneously and I can see these artists winning the Best OST awards at the award ceremonies already. That is all I am reporting on… Hahaha…
Comebacks and Debuts
For the past two months, many artists have made their comeback and they include ): Block B, Seventeen, History, April, Twice, AOA, Akdong Musician, VIXX, Lovelyz, Up10Tion and so many more.
For debuts, NCT is the big debut for April. I.O.I is probably the major debut for May. However, we have seen new soloists emerge in KPOP in the past two months. Notably, Jung Eunji from APINK, Woohyun from Infinite and Tiffany from SNSD had their respective solo debuts in the last two months.
May hasn’t ended yet, but it is about to. I will add other May songs to the June list (when I get around to it).
0. Pretty U – Seventeen (I have to. I have been trialling charts and Seventeen has been popping up every single week as the top song for the week).
1. Good Luck – AOA
2. Save Me – BTS
3. Nodding Nodding – Woohyun (Infinite)
4. I Just Wanna Dance – Tiffany (SNSD)
5. Fire – BTS
This one was a long one and I tried to keep it short. I am really behind in reviews and will get them out slowly. It will take me some time to catch up. Bad news is that I have exams coming up and I am going to be slower. I will review every major release eventually, so give me some time. Enjoy the rest of May and see you tomorrow!!!
Welcome back to another monthly rewind. February is officially gone and it went super fast (despite it having an extra day, as this is a leap year). Before we all know it, March is gone and April passed us like the wind. Let’s get started shall we?
I think there are two major news that we need to cover. One that talks good about one band, and the other isn’t that good. But bad publicity is good publicity right?
GFriend made their comeback at the end of January 2016, but managed to sweep the charts with their newest mini album and title track, Rough. And when I mean “sweep the charts”, the girls stayed at the top of the digital for over hundreds of hours, a proportion of those hundreds of hours were actually perfect all kills (which are apparently extremely hard to get, but the girls did it somehow). This led them to win their first music show trophy since debut and they managed to do pretty well. And when I mean pretty well: Triple Crown on Show Champion, MCountDown and Inkigayo, 4 trophies on Music Bank and 2 on SBS The Show. That is a lot. Their hard work has finally paid off, with the help of their fanclub and fans.
In other news, Beast is in the limelight for the wrong reasons. Hyunseung was caught falling asleep during an interview, which disappointed fans and garnered a lot of criticisms. Falling asleep in an interview seems a little too much my opinion, but it just shows how tired they artists are with multiple schedules in one day, concerts, comebacks, practice, interviews, the lot. Junhyung also saw some criticism when he failed to attend a fanmeet due to sickness, but somehow managed to attend his friend’s (Jung Joon Young) birthday party. While it was cleared up with Junhyung, Cube Entertainment and Jung Joon Young each making a statement saying how he came for only a few moments, just to drop off a present. Honestly, some people need to give these guys a break. Sometimes, you need to take a sickie (or sick day) just to go somewhere or to relax and take it slowly. So why are these people so annoyed with that, when they probably do it too, when everything becomes too overwhelming?
Number of groups made their comeback this month. 4Minute, Winner, Mamamoo, B.A.P, Taemin (SHINee), NU’EST, Rainbow (even though some are speculating this will be their final release) and many other smaller, rookie bands.
Astro is the first group that comes to mind with their debut this month. Actually, it is probably the only group that debuted in February that I have reviewed thus far. Their title track is Hide & Seek.
AOA has been around since 2012, but they recently debuted a brand new subunit called AOA Cream. Odd name for a subunit though. Chanmi, Hyejeong and Yuna make up this group. They made their debut with I’m Jelly Baby.
I am skipping polls this month as I am a little busy. I will be able to write about one of the polls that I have made in next month’s review.
Probably one of the biggest award ceremonies for music and also probably one of the most prestigious, the 30th Golden Disk Awards (GDA) was held on the 20th to the 21st of January 2016. The GDA was supposed to be held in China but was moved back to South Korea due to the recent earthquakes that occurred there just 1 or two weeks before the scheduled event. Even though many people were shocked and feared the award ceremony would be either postponed or cancelled, the ceremony went off without a single hiccup and was broadcast live in both Korea and China.
What I like about this particular awards is that is focuses on both the physical albums and downloaded songs of the year. In other words, more awards for everyone. It is also nice to see who excelled in what (hahahaha…). The digital awards were handed out on the 20th of January, while the physical album awards were handed out on the 21st of January. The award show on the first night was hosted by Jun Hyun Moo, Kim Jong Kook and Seohyun (SNSD). The second night was hosted by Jun Hyun Moo, Leeteuk (Super Junior) and Krystal (F(x)) I have recapped the award winners on the two nights below.
Disk Daesang (Album Of The Year) – EXODUS (EXO) Digital Daesang (Song Of The Year) – Loser (Big Bang) Disk Bonsang (Best Artist) – APINK, VIXX, F(x), BTS, CNBLUE, Jonghyun (SHINee), EXO, Beast, Super Junior Digital Bonsang (Best Artist) – Red Velvet, EXID, AOA, Zion.T, Park Jin Young, Sistar, Taeyeon (SNSD), Kyuhyun (Super Junior), Big Bang, Girl’s Generation Best New Artist – GFriend, iKON, Seventeen, Twice Popularity Award – SHINee Best Rap / Hip Hop – SanE Best Rock – Hyukoh Global Popularity Award – EXO Best Group Vocal Award – BTOB Best Solo Vocal Award – Jung Yonghwa (CN Blue) Best Male Artist Award – Big Bang Best Female Artist Award – Taeyeon (SNSD) Next Generation Star Award – Monsta X
Once again, this wide spread of award winners seem to be more representative of main stream KPOP. Not that I am complaining. Most of the award recipients were similar to the Seoul Music Award 2016, however a lot more artists won in this ceremony, since their was more rewards. Not that I am being a hater or anything, but Kyuhyun’s bonsang award seems a little far fetched. From memory (correct me if I am wrong though), his song never charted high on the charts and likewise Super Junior barely makes an impact on the digital side of the music industry. So I am a little suspicious of how he managed to get an award for a digital bonsang. Saying that, he did sell a lot. Like a lot on the physical side. But beside that, I think it was a nice range of artists who won and I think it is accurate (as in which artists managed to shine the brightest in 2015).
I really need to think of ways to start off the different sections, but once again… I think out of the all the ceremonies that have already been broadcast (NOTE: I am typing this prior to the Gaon Chart Awards), GDA has the best performances. Why? Because many of the artists performed multiple songs and I really enjoy how some artists (or their producers) integrate different songs together. GFriend, Red Velvet, EXID, Seventeen and BTS had the best stages on the nights. Some artists performed some songs that were released in the past (in previous years, such as EXID’s Up & Down, VIXX’s Error, Sistar’s Touch My Body etc.), which I kind of liked, but, the songs were released last year… so maybe a little outdated. But overall, the performances, I think, were to a very high standard and pleased me (*points at myself* and *acting as the biggest critic of all time*).
Below are just the few performances that I found and slapped together in a playlist format in no particular order.
For a last minute change to the ceremony, it managed to do pretty well in my books. Awards, performances. Everything was just great. There is one more to go of this season’s award ceremonies, which will be coming out in the coming days. Until then, bye!!
Welcome to the end of the year! Each year, I do this “End Of The Year Chart” where I properly rank songs via a personalised ranking system, which shows which songs I liked the most (and which songs I did not like at all – but I won’t name and shame). How do I rank the songs? Simply taking the score that I gave them in the review published earlier in the year, adding it to new review scores for the music, video and performance. Then I add those to other scores from “Songs of the Month” in my Rewind posts and to ensure that I can properly order them, I turn to my iTunes play count. And when I say “add”, there is a mixture of mathematical operations (and I am going to stop here, before I can bore you). In no way is this chart influenced by my choice of best song in the BOBs. But I do highlight them here :).
Gain (Brown Eyed Girls)
If You Do
Oh My Girl
Love Me Right
I Need U
Sing For You
Taeyeon (SNSD) ft. Verbal Jint
Like OOH AHH
Oh Um Ah Yeah
Lee Hong Ki (FT Island)
Between Night n Music
Shake That Brass
Amber (f(x)) ft. Taeyeon (SNSD)
VIXX LR (VIXX)
Brand New World
Brown Eyed Girls
Ring My Bell
Donghae & Eunhyuk
Catch Me If You Can
Me Gustas Tu
Kim Sung Gyu (Infinite)
Might Just Die
We Like 2 Party
Mad Clown ft. Jamsil (Mad Child Soul)
Ice Cream Cake
Kim Sung Gyu (Infinite)
I Feel You
Wow Wow Wow
Junjin (Shinhwa) ft. Eric (Shinhwa)
And here are some interesting facts about this year and the chart itself!
A total of 180 songs were ranked on this chart, but a total of 195 songs were reviewed this year (which I believe is a personal best).
The first song reviewed and included in the chart is BTOB’s The Winter Tale (released at the end of last year). The last song reviewed and included in the chart was EXO’s Sing For You
A total of 16 girl groups, 17 boy groups and 9 soloists are featured on the chart.
There is a better mix of boys and girl groups this year, compared to last year, where the first boy group did not feature on the charts until after 16th place.
BTS had the most songs on the chart (I Need U, Dope & Run). followed by: EXID (Ah Yeah & Hot Pink), GOT7 (If You Do, Just Right), EXO (Love Me Right, Sing For You), Kim Sung Gyu (The Answer, Kontrol) & Red Velvet (Dumb Dumb & Ice Cream Cake).
Rookies were actually a strong force this year with Oh My Girl, Seventeen and Twice ranking quite high up in the charts.
The following ranked after 50th place: IU, B.I.G, Crayon Pop, VIXX, Seventeen, Changmin, Big Bang, Brown Eyed Girls and CLC.
And finally, this year chart was actually reflected on the BOBs this year. I crowned EXID’s Ah Yeah as best song for both segments.
AND THAT IS IT!! 2015 will be ending shortly. 6 Hours To Go (for me at least)!!! Hope 2015 has been a great year for you all. I thank you all once again for another year of KPOPreviewed. Your support has been amazing. Every comment and like (heck even every view) makes me happy!! Nearly 5 years and still going strong!! Thank you 2015 and I wish you all a Happy New Year wherever and whenever it is time. Let’s make 2016 our year!!! (First review: 2nd of Jan).
2015 is at its end, and with days away from the new year, we must reflect on 2015. And per usual: excellent songs, videos and dances have gracefully entered our lives and probably have not yet left us. From comebacks from big name acts to debuts of new rookie bands, 2015 has been a splendid year in my opinion. This year I decided to do the BOBs differently. Usually, I post a list of nominees and categories, but I don’t get you guys to vote for them (nor do I have the capabilities and time to allow you guys to vote for them, but maybe in the future), so I thought I should change it up this year, but posting both nominees and winners in the same post. This is part 1 of the BOBs and part 2 will be released tomorrow with the rest of the categories. Also, the traditional End of Year Charts will be released on the 31st of December, at 11:55 pm, so please wait around for that. Let’s get the post on the road!!!
These awards do not reflect any review score that I gave out this year. My personal preferences will always change (i.e. an 8 review score can currently be a 10 OR a 10 review score can currently by an 8).
RED FONT – Winners, BLUE FONT – Honourable Mention
Each year, artists see a rise in popularity. May that be due to great songs or great publicity (after all: any publicity is good publicity), this year was no difference. Each of these artists, I have personally seen, some sort of boost in popularity this year. And I get to choose two winners (one male and one female) for this certain category. For this year, I have nominated:
My pick is: EXID and BTOB. Both teams saw a rise in popularity due to one particular member, and slowly each member in each group is become well known in the industry. Keep up the good work, EXID and BTOB!!!
A song is not a song without an instrumental. And in KPOP, the instrumental plays a massive part in hooking us in and getting us addicted to the music. Especially for foreign and international fans who don’t understand the Korean language 100%. So many great instrumentals this year, here are the nominees:
Out of all the nominees, there can be only one winner: Wonder Girls – I Feel You. The girls returned to the stage with a brand new band concept, which totally wowed me. This instrumental has its own retro vibe and I personally enjoyed it a lot. From the drums to the keyboard and guitars, the girls totally deserve this. By far one of the most underrated songs, that definitely deserve an award! Honourable Mentions: F(x) – 4Walls
BEST JAPANESE SONG
I also do some Japanese songs on this site. Hahaha… Yeah, I review some Japanese songs from time to time. The variety of singers that I listen to for Japanese songs is usually limited to only the Japanese songs released by Korean artists. This year, the category has been dominated by Korean artists and I hope next year, I can start to review more Japanese artists! Here are the nominees:
I think, I was most addicted to Beast – Can’t Wait To Love You. And that was my pick for Best Japanese Song. It was song that I felt did not fall into the typical Korean Pop or Japanese Pop genres and was pretty unique on its own. As for honourable mentions: BTS – For You.
Big name comebacks this occurred and they all managed to rock our socks off. Hahaha… I take into account: song, concept, promotions, looks, impact and a few more categories and suprisngly, the biggest artists that emerge from the Golden Age of KPOP were nominated:
Out of all the comebacks nominated, the one that fitted the criteria the most would have been Big Bang. 2015 was one big year for the band, and they had such an unique concept in terms of promotion. SNSD takes away honourable mention for this category.
Unfortunately, 2015 did not continue the 2014 trend of subunits. However, some new subunits formed from popular bands and some old favourite returned. Here is who I think should be nominated as best subunit:
This one was a little close for me. But I am going to say Donghae and Eunhyuk, which is a subunit belonging to Super Junior. Their song was by far an amazing and left a more long lasting impact on me than the others. The other subunit that gets honourable mention is VIXX LR, which is a duo made up of Leo and Ravi.
2015 saw a new wave of contestant based TV shows around rapping and hence many artists have seen a boost in popularity after appearing on these shows. Other rappers also remained on stage as part of their groups and amazed the audience continuously during each comeback. Here are the nominees:
Out of all the rappers on the light, I picked Mad Clown as a winner. His song was a hit, it was a great song (now) and while he is not part of some group, he still managed to be placed ahead of everyone this year. Zico (Block B) took out Honourable Mention for his active year. Interestingly enough, both selected artists had someone featuring in their song.
When there are rappers, there are also singers. 2015 also saw new programs (and our old favourites) made specifically for the vocalists of all groups. Some vocalists we know have always amazed us, but others have just emerged and became trends for 2015. Based purely on what they sound like, here are the nominees:
I think this category has the most obvious winner, Taeyeon (SNSD). Yeah, she was quite active as an artist, but her debut for I blew everyone away. As for honourable mention, it goes to Solji (EXID). Her performance of Maria still replays in my head. Her powerful vocals in EXID’s performance are also quite amazing.
BEST MALE SOLOIST
While the above category looked like at vocal performance, the Best Male Soloist looks at their vocal performance, song, impact and dance (if applicable) – i.e. their comeback or debut as a collective. To be nominated, the artists must have been active as a solo artist this year (while the above also included group vocalists). The nominees are:
There is only one artist on this list that managed to wow me the very moment I listened to the song and that artist is Kim Sung Gyu (Infinite). His whole album did wonders and is an album that I am continuously going back to. As for honourable mentions, Lee Hong Ki (FT Island) wins that. His solo debut song was well received and I reviewed it as an amazing ballad.
BEST FEMALE SOLOIST
While the above category(Best Vocalist) looked like at vocal performance, the Best Female Soloist looks at their vocal performance, song, impact and dance (if applicable) – i.e. their comeback or debut as a collective. To be nominated, the artists must have been active as a solo artist this year (while the above also included group vocalists). The nominees are:
Once again, I am going to give it to Taeyeon (SNSD). Vocally, stunning. It was memorable and lovely to listen to. Honourable Mention was a close call, but Amber (F(x)) stole it from Gain (Brown Eyed Girls). So catchy and bright.
And that is it for Part 1 of the BOBs. Check back tomorrow, where I will post the second part of the BOBs, with Best Song, Best Male and Female Rookie; and Best Male and Female groups (plus a few more categories).
*All images and gifs belong to their owners/creators. Only those tables are mine.
Finally, what I intended the double reviews for. For when artists come out with a pre-release and then their title track. Honestly, I felt like Beast should have reviewed sooner, but it won’t be fair for other bands to wait it out as well. Beats has comeback with their fifth mini album. Gotta Go To Work was their pre-release single, while YeY is their title track for this promotional run. Their album is titled as “Ordinary” but this album and their songs are nothing “ordinary”. Prepare for lame puns.
Knowing me, I liked YeY more than Gotta Go To Work. While their last few pre-releases were more of the ballad type, Gotta Go To Work can be described as a song that we would not have expected from the band. There is a lot of aegyo feelings in this song compared to any other song that they have released. And it is pretty interesting. No, it is not a crap song. It is actually pretty nice to listen to once in a while. And I am glad they did not choose this as their title track, because it would be a song that I would get tired with quite quickly. I think that while it is good to listen to from time to time, consecutively listening to this song on the loop would drain it of all the effects it should have. I love how Junhyung carries the first half of the chorus though. It changes things up a bit. I like their vocals in the song.
YeY is a much better song in my opinion. Mainly because I have replaying the song since it has come out and really enjoy the dance and party theme it was going for. The song starts off slow, and starts to build up to the first chorus. It basically hypes you up until the beat drops when we get to the chorus. Junhyung is singing quite a bit in these songs. Interesting. I really enjoy the chemistry between their voices in this song. Junhyung’s rap at the beginning was pretty bad ass though. There is one complaint I have in terms of the vocals. Kikwang seems to have a pretty deep voice this time around and I am quite sure I have never heard a song with Kikwang singing like in this sing. Not saying it is bad, but I feel like it really did not fit well with the song. The instrumental and chorus is really addictive as well. “Yey Yey Yey!!!”
The music videos are quite nice. Gotta Go To Work has a very colourful and cutesy video. I honestly like where they were going with the video and how the girl does not want Doojoon to go to work, mainly because she would miss him so much. And he would tempt her anyway he can to just go to work. Wait, doesn’t that mean he wants to leave her? OMG…. Hahaha… I know, don’t worry. But damn girl, she is just too clingy. I enjoyed Doojoon’s acting in the video though, Suited the music video very well. Yey also had a great music video. Though, my number one complaint is regarding the stylist who did Junhyung’s and Hyunseung’s hair. Please. NO. I cringed so hard, I felt like I cringed on behalf of Australia when I saw them dread locks. The rest of the music video (sorry have to gloss over this part) went pretty smoothly. Party animals I have to say. I love the warehouse dance set that they had. It looked pretty cool.
There should not have been a dance for Gotta Go To Work. It just looked weird on stage. YeY had a much better dance to it and that I expected from them. Their dancing matches the song quite well for YeY.
Overall, this was probably a solid comeback. Always expected Beast to make a great comeback and they managed to deliver pretty well despite all the competition.
It has been so long. Apologies guys, I had this massive group project that I had to complete and we only started this week. Hahaha… Life of a university student. Any how, I have a few days that I should be cramming for exams (which I have yet to start) but I think I can make some time for you guys. Catch up time for the reviews. I was thinking of doing a few double reviews (Big Bang is still under my watch) but also a few “Catch Up Reviews” like from last year. Some of which are themed like “Solo artists” or “Boy groups”. Oh wait, this is about Beast. Jang Hyunseung is the third member to have a solo music career, the first being Yoseob and second was Junhyung. Beside that, Dongwoon is set to make his own solo debut in Japan and Doojoon has been a popular actor. Kikwang is a well known variety star. Hyunseung is also one half of the ever so popular duo Trouble Maker. Hyunseung said he wanted to show a new side of him to the fans without the Beast and Trouble Maker name following his.
It is an okay song. I liked the instrumental and it has a pretty cool beat to it. I just have not been impress with Hyunseung’s vocals on a whole for most of my time that I have followed Beast. His voclas are good, but it just lacks feelings and emotions for most of the time, which puts me off his vocals. For some reason, I have the idea of the song having a “dirty” beat to it. I don’t think that is what it is called though, but the chorus left that kind of impression for me. Beside that, I did not like find anything else to say about the song. I feel like he is trying a little too hard with the song. It does suit him, but with the extra high notes and all that jazz, it really makes the song feel quite distant from what I am used to from the singer. Of course I expected a dance song, but not a dance song with powerful vocals and high notes that I would expect from a ballad or a softer song. I know it is very vague and I just have a hard time explaining it. Sorry…
As for the music video, this is my first time watching it. I know, I am very delayed but uni got the better of me. Firstly, I like the set. It does look fake but it did a good job of replicating an underground club and an alley way. Second of all, that girl was all teasing Hyunseung. And yet he tried so hard (though he did get to her in the end). I expected a little more clubbing scene and none of that Hyunseung being a pervert scene. The song had that club feel to it, and that was touched on for a while in the video. I just expected majority of the video in a club set. Beside that, it was an okay video. Very American influenced but it did the job quite well.
As for the dance, all I can give is praises. This comeback seems to be more dance centred for me and I enjoy it for that aspect. Jang Hyunseung lives up to his name as the dancer of Beast after all. Though some bits I was very impressed with, others kind of looking like he was having uncontrollable spasms.
Overall, it was an okay comeback. Not that great overall to be honest, but it managed to do its job, I guess. 5/10