Also kicking off 2019 is Kim Chungha, who returns with an upgraded and mature performance to match her latest single, Gotta Go (벌써 12시). This is Kim Chungha’s first comeback since Love U was released back in Summer of 2018. It seems like Chungha is attempting to replicate the success of her Roller Coaster comeback, which was released at the start of last year in January 2018. Given her popularity has grown and the success of her Roller Coaster comeback earning her Best Solo Dance Performance Award at the 2018 MAMAs, there is no doubt that Chungha will still be able to top charts once again.
Gotta Go is Kim Chungha’s most mature release yet. The dance-pop instrumental of this song is extremely appealing and it paves the way for a very sexy looking performance (more on that later). I am not exactly sure how to describe the synth that features prominently in this song. It is like a synthesizer trying to mimic a flute. It is vaguely familiar, however, reminding me of songs from the 90s. But while I meddle over how to describe the sound in text, the song itself is really good. It is catchy and potentially addictive (we might need to wait on that as it has only been a few hours since its release). And like my other review from today, Chungha really put her best vocals forward through this song. That high note at the end was amazing and the stability in her vocals for this song allows that mature feeling to become a profound element of the song.
The first thing that I have to mention is that Chungha’s change in looks (compared to her previous comebacks) is extremely striking and bold. And going with that maturer sound is a sexy concept. But it isn’t that type of sexy that people criticise about. Rather, it is classy and elegant, which I quite liked. It also showcases confidence, which can be illustrated wonderfully during the scene where she did her walk down the stairs (alongside her backup dancers). I really liked the video and the visuals that came with it.
Watching the choreography in the music video, it makes me excited for the upcoming performances. This entire choreography looks amazing. That entire final section was definitely a mixture of the icing on the cake and the cherry on top. When the backup dancers fall down slowly and she goes into that scorpion posture, I was left shocked. Everything else was very strong and nicely done. I did see a few moves from her previous comebacks, though I am not sure if it was intentional or recycled.
Song – 9/10
Music Video – 8.5/10
Performance – 9/10
Overall Rating – 8.9/10