[Review] Eight – IU ft. Suga (BTS)

You take the digital queen of KPOP. You take one of the members of the most popular KPOP group in KPOP. You put them together in a room and apparently that equates to Eight. If you couldn’t tell about the title of this post, I will be having a looking into the collaboration single that came about when we combine the likes of IU and Suga from BTS. And that collaboration single is set to dethrone every other song at the top of the charts, given the power of the two in the industry. After all, they have already debuted at the number 1 position for two of the domestic charts and they are rising fast on the rest of them. After all, it is what IU and BTS does best.

The song is produced by Suga and IU themselves and it all about being 28 (which is also the Korean age of both IU and Suga this year). The song takes the form of a pop rock track, which already sounds amazing. I liked how mellow Eight started off as and how fast it was to ditch that sound to become an epic pop rock song that I could rock out to. That is really big tick in my books. To me, it is like the song mashes up IU’s pop rock Blueming and BTS’ more modern influence. I do think Eight could have used some electric guitar riffs to really give the final chorus a little something different to the rest of the song. Or would this be a little cliche? The song just felt a little too consistent as I was listening to it after multiple replays. Though, this doesn’t stop me from pressing the replay button. IU’s vocals never seem to disappoint, with this song highlighting her vocal abilities in the same way as her ballads and well known hits have always managed to do. Her voice comes off very refreshing and suits this pop rock style a lot. Suga has a very limited section in Eight, but he comes in with a really cool whisper and he continues the momentum of the song without diverting to a new or different sound. The only other flaw of the song is how short it was. But after all, it is a short but sweet song.

The music video starts and ends off with IU in this futuristic world. It seems like the machine that she gets into is a memory machine that replays memories in her dream. The memory that we see on our screen is what I presume to be an experience at the age of 28. She takes care of a lizard or gecko that she really loves. One night, she has a dream that she is on a plane and her lizard is on the outside of the plane. The plane experiences turbulence, waking IU up. IU runs downstairs to find that her lizard pet has gone into the wild. IU, in another dream, goes looking for her pet. But soon realizes that her pet had evolved into a dragon like creature. Knowing that her lizard pet is well and moving on with its life, she moves on with hers as she flies away to her destination. I thought the video was really cool. I liked how they showed four versions of IU without confusing us as they used a different style of each. They used a human form for Futuristic IU and memory IU, while animated 3D IU (which may have included 3D animated Suga) and cartoon IU for the different dreams. Overall, a fantastic video.

Song – 9/10
Music Video – 10/10
Overall Rating – 9.4/10

[Review] Interlude: Shadow – Suga (BTS)

This review contains my personal opinions regarding the song and music video. This is my interpretation and mine only.

This is the first time I am doing a full review for the Interlude track for BTS (or any artist). Why am I finally doing a review for the Interlude track? Well, I have noticed that these are actually tracks worth talking about themselves. The music video that accompanies these tracks also tend to be full of symbolism and hence there is more to talk about. The Interlude track is titled Shadow, courtesy of Suga. It was the first track unveiled after the announcement of their upcoming comeback in February with Map Of The Soul: 7.

There is something haunting with the start of the song in the ‘I Wanna Be…‘ montage. Suga’s signature husky and low tone brings this section to life, making it a memorable part of the song. Suga then start to throw lines at us through the rapping. And it is in this part do we get more of an idea of what the song is all about. Essentially, the ‘I Wanna Be…‘ montage at the start is more like the dream that we keep on repeating to ourselves to help make it a reality. But the verses and chorus paint a darker picture. That sometimes this dream isn’t somewhere we would want to be. In this sense, Suga says as part as of the world’s leading musical act, he is lonely and is often followed by a dark shadow that stays with me no matter whats. He doesn’t want to fly nor does he want to fall from the top. The rock sound in this part was really good and well accented. He then repeats the montage and then the song manages to flip a switch. It becomes a lot more intense and powerful. Suga’s rapping becomes more erratic and chaotic, as opposed to the control at the start. In the lyrics, I think he is referencing that darker side, which I thought was interesting. There is a lot to take in, but I thought Suga nailed this track with a very likable backdrop/instrumental.

I think my interpretation of the song lyrics and the musical intentions of the song reflect well with the music video. Remember that this might not be the actual interpretation. We see shadows at the start, with Suga standing in front of door. I think this foreshadows the shadows that will follow him once he rises to the top. We then see the same corridor with Suga, but no shadows, which shows his desires prior to realizing the darker side of show business. He runs, which shows his climb to the top. This lands him on the stage, with everyone watching. In this era, social media is like a double-ended sword. It help create his career. But at the same time, it allows for the focus to be too much on him. There is a scene in which the camera angles continually changes but the focus remains on him the entire time, further emphasising this part. The more erratic part of the song shows cameras directed at him, similar to how paparazzi tends to get. We see the shadows run after him. But we see human hands instead, showing that some fans can be the shadow. Overall, I thought this was a really cool video. The different ways symbolism was shown in the video was really profound. The post-production also helped out.

Song – 9/10
Music Video – 10/10
Overall Rating – 9.4/10

KPOPREVIEWED 2016 Awards – Part 1

I am officially back everyone. And finally, I am moving along with the posts. This is the replacement to the normal Best of the Bests that I do at the end of each year. Essentially, they are the same thing, just a different name for them. This is just for fun and is just my thoughts relayed into a post. I did want to include you guys in the voting this time around, but because of my vacation, I had skipped over it. Maybe next year, if nothing pops up.

I usually post the nominees up in a separate post. However, because of time constraints, I have linked the nominees on a separate page by clicking the link below, instead of writing them out.

CLICK FOR THE NOMINEES AND CHECK OUT THE WINNERS FOR PART 1 BELOW


RISING STAR AWARD

This award goes to the groups that have seen the most growth in 2016. Past winners have risen from the rookie status (usually) or ‘nugu’ status and conquered the year they were awarded in. Looking back there are a number groups that took over 2016. But the rising star award goes to Twice and Seventeen. It is quite obvious why. Both groups had a following already in 2015 but 2016 saw more success, proving them to be a force to look out for.


BEST INSTRUMENTAL

This award is self-explanatory, given to the song that has the best instrumental. This is something that I talk about in review and is vital to the song (though I have heard amazing acapella in the past). It seems like simple took out the award this year with the instrumental of The Rain by Ladies Code taking out the award. But don’t worry because the EDM based song Fire by BTS took out Honourable Mention.


BEST COMEBACK

Comeback after comeback after comeback. It is like shifting through a needle in a haystack. Any artist could have been nominated for this but I chose VIXX as the winner for this. Their comebacks have been consistent but unique each time. Their releases have you asking what they have planned next. As for honourable mentions, BTS takes it. Given their releases in the past year, I have to say I was very impressed.


BEST SUBUNIT

It seems like subunits have dropped off the trends list this year. Actually, they have become quite rare. That being said, there have been some notable subunits in 2016. My pick for the winner is EXO-CBX, which consists of Chen, Baekhyun and Xiumin. Their song, Hey Mama, was extremely catchy and fun to listen to. Honourable mention go to NCT Dream for their release of the fun and equally catchy Chewing Gum (plus they performed on hoverboards).


BEST RAPPER

Not a big fan of rapping but I have to be honest, there are many great rappers here that show me otherwise. A few rappers in idol groups have released mixtapes this year as part of their solo work, further showing their influence on the industry. The winner I have chosen is Zico (Block B). All of his solo releases and collaborations have been extremely popular and successful in the past year. Honourable mention goes  Suga (BTS), whose mixtape and work within BTS have also amazed me this year.


BEST VOCALIST

Vocals are something that I admire the most. So, it was rather hard for me to narrow down just 5 nominees, particularly since there were more shows where vocalists of different idol groups and actors/actresses could participate in. My radar jumped when I heard the winner sing on those shows. I am talking about Sandeul (B1A4), whose voice sounded amazing in his solo work and collaborations on Duet Song Festival. I chose Mamamoo for honourable mention as their vocals are no joke, slaying with almost everything they release.


BEST COLLABORATION

Collaborations are still popular and with SM Entertainment’s SM Station in full effect for 2016, we saw a more diverse range of collaborations that have never been seen before. My pick for the best collaboration of 2016 is Hit Me by MOBB, which is a collaboration between Mino (Winner) and Bobby (iKON). Honourable mentions go to Tiffany (SNSD) and SanE for their SM Station track, Heartbreak Hotel.


BEST NON-TITLE SONG

These songs include songs that were simply released as a part of the album but forgotten as it was never promoted. Some of them were performed with the title track for one week but have since not been performed. Songs that deserve some sort of recognition as well. My pick of honourable mention is I Miss You by Mamamoo, which was included in their first studio album. The winner of the best non-title song goes to Sistar with their track: String. String is actually one of the few songs that are not a title track that was replayed constantly on my phone.


To find the second part of the 2016 KPOPREVIEWED Awards, Click Here!!!