Due to the nature of the video, I have typed up the bulk of the music video section in white font. To read this section, simply highlight the text.
Mamamoo is back in the form of one member! Wheein has returned to the music scene with a solo release titled as Good Bye. Her last solo single was 25, which she released in May of this year. That release went completely unnoticed by many (including me) due to a lack of promotions in the lead-up and after the release of the single. Let’s hope that Good Bye doesn’t share the same fate! Her last solo single officially reviewed by your faithfully was Easy, which was released last year.
Good Bye takes on the ballad side of the industry. And it does so in a way that feels fitting for Wheein. We know of her impressive vocals through her works with Mamamoo and her solo stages on shows like Duet Song Festival. Her raspy vocals come through in this song, whereas they usually don’t during the group promotions. And I thought they brought some really nice warm colour to the song. The instrumental is pretty plain and ordinary for a ballad, but her vocals do a fair (as you would expect with any ballad) to make up for this pitfall. I also like how her voice builds as the song progresses, which I is something I enjoy when it comes to most ballads. Okay, it sure sounds like the Good Bye confirms to most ballads in many ways. But Wheein’s execution of Good Bye makes it stand out from the rest of the ordinary bunch.
The attention-stealing component of this comeback is the music video. IF YOU HAVEN’T WATCHED THE VIDEO YET, I RECCOMEND YOU DO BECAUSE I AM ABOUT TO SPOIL IT!!! We see the lead female actress adjust to a singles life for the majority of the video. At the start of the video, we see she flip a picture frame over angrily, make a meal for two when she should have just a meal for herself and removed all of the couple stuff from the house. It seems like her former lover was an artist, as she trashes the painting on the wall with fresh paint. This is the turning point of the video and if you want to read the rest of the plotline, you will need to highlight it as I have typed it out in white. So essentially, a couple arrives at the house to see it trashed. The entire time, we were lead to believe that she returned to her own place. But instead, it turns out it was her lover’s house. The guy runs out, to alert people (I assume), leaving his girlfriend in the house. It actually turns out to be her house and that she was the painter. As this girlfriend enters the room with the painting, she picks up the same picture frame from the start of the video, revealing a huge patch of orange paint over her boyfriend’s face, while her own face is uncovered. We are then shown clips of the lead actress drunk, crying over her lover and she lives the house. If you still don’t get the story, don’t worry. Essentially, the lead actress loves the girlfriend, not the boyfriend. It is another video similar to Please Don’t by K.Will. And it is a really good plot twist that I had to rewatch a couple of times. I also like the warm colours that feature in this video, fitting for the first ballad that I have reviewed on the site for the Autumn season!
Music Video – 10/10
Overall Rating – 9.4/10
If Park Bom was still under YG Entertainment, we wouldn’t be able to see much of her in the near distant future. But the good news is that Park Bom is no longer under YG Entertainment and therefore we are able to see her more often. Back in March, Park Bom returned with her first solo single in 8 years, titled Spring and featured fellow 2NE1 member Sandara Park. Within a month and a half, the soloist has returned with 4:44, which features Mamamoo’s Wheein. And in a recent interview, Park Bom hinted towards other comebacks within the year! So rejoice Park Bom fans, she is here to stay!
From the very start of 4:44, you can tell that there is a heavy emotional tone to the song. It also tells you what type of direction the song would go into. Despite being in a time of sudden changes, I think vocally-centred and emotionally-based songs don’t become affected by such trends. But a trend that did affect the song is the use of an electronic instrumental for this R&B ballad. Even some of Park Bom’s vocals are autotuned. I am not too bothered by as they all blend well together. But they could have been a little lighter with the autotune. I find 4:44 very interesting for two reasons. Part of me finds certain moments quite nostalgic as it brings me back to her earlier solo works. Leading right after is that the Park Bom’s voice is very husky and airy in this track, reminding me of Soyou’s vocals when her collaborations were the go-to track to download. I think Wheein gave the song some lightness and crispness. Her part had a slightly faster tempo and this gave dynamic appeal. I also liked Park Bom’s ad-libs during Wheein’s feature, which I thought were rather cool.
Once again, the emphasis is on the colour blue. It definitely made itself the centre of attention. Apart from that, there isn’t a whole heap going on. Park Bom, for the majority of the video, walks around. I like the idea but I think she could have been a little less rigid while walking, which would have made the video appear softer. I also understand that Wheein wasn’t in the video. Many times, featuring artists cannot fit music video filming into their schedule. But getting the main actress to lip-sync doesn’t really cut it for me. And the small opening of the mouth really annoyed me. Maybe there was an artistic reason for this. But I just thought the lip-syncing was unnecessary.
Song – 9/10
Music Video – 6/10
Overall Rating – 7.8/10
Mamamoo seems to be readying themselves for multiple solo releases in the months to come. Moonbyul seems to be releasing something May, while Solar was just confirmed to make her solo comeback. But kicking it all off is Wheein with her solo release Easy. This isn’t her first solo track, however, as she has collaborated alongside with other singers, such as the chart-topping Anymore with Jungkey and Narccius with M&D.
Easy is a very nice sounding R&B track. It features a nice melody, which makes the song flowy and groovy, which is a word I am using quite often nowadays to describe songs. But this is quite groovy, which isn’t something that I commonly associate with R&B. The chorus is also quite catchy, despite it being a style that I am not into. The line ‘Too late too late, your so stupid, stupid‘ is also quite addictive moments in the song. Also featured in the song is her husky vocals. It isn’t something you hear commonly in her Mamamoo work. Instead, she employs a more raspy sound which really sounds alluring and seductive. And while it may not seem like there is any, you could hear some attitude in her voice. She also tries a little bit of rapping, which was really good as well. The ain sequence was handed to Sik-K, who’s featuring is a perfect accompaniment to the other parts of the song.
The music video shows Wheein trying to get the attention of her boyfriend, who doesn’t really seem to care about her anymore. In the lyrics, she sings about how she went after him but now that he doesn’t really care anymore, she is trying to find a way out of their relationship. But what way out are you thinking of? Well, most likely kill your boyfriend using a fist missile didn’t pop into your head. And well, that is what Wheein results to at the very end of the video. Honestly, it makes the video a little more interesting with that quirky and unexpected plot twist. Also featuring in the music video is Hwasa and an amazing colour palette. Overall, it was a good video.
I wouldn’t mind seeing a full performance of this. I don’t think there are any plans to promote this (I am not sure). That small snippet of choreography around the 1:04 – 1:24 seems quite promising. However, as there doesn’t seem to be any hint of promotions (please comment below if I am wrong), I won’t include any performance section in the final rating below.
Song – 8/10
Music Video – 9/10
Overall Rating – 8.4/10